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Pronunciation Guide
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The fact is that composers always write for the power because… or power and money and it so happened that in the period when polyphony all the way through to the classical and early
romantic era all the power and the money was with the church, so some great masses and some great choir music and some great oratories were written from obviously the Baroque age
being the sort of pinnacle of that, but all the way through to Mozart’s final works and his requiem and Beethoven’s Missa solemnis and Mendelssohn and so on.
Listen to native speakers pronounce “oratories” in real conversational contexts with synchronized timestamps and subtitles.