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Listen to native speakers pronounce “marcel” in real conversational contexts with synchronized timestamps and subtitles.
And this is more or less stabilized because there are a few human beings.Marcello, how long have you worked at Lavazza?
She's better educated and a better conversationalist than the others says the madame.And Marcel always demurs.No, thank you. Maybe next time.
So I was there last night.Like Marcello, who's the CEO of Ipsy, he didn't just come out of the womb knowing about online video.
them to have the narrative coherence that you need to for a story like this.And when Marcel frees his brother, it didn't happen in this massive spectacular square.But you kind of adapt it to a way that can really raise the stakes and be exciting to watch for the audience.
And then this, I think, this very beautiful song comes out of it.It was popularized by Marcel Proust in the 1880s.
And then something sort of interesting happened in that curation jumped over to the art world, and specifically the contemporary art world.This figure here is Marcel Duchamp, who you may or may not know is famous for just putting a urinal in an art gallery,signing it with a fake name, and then calling it art, which at the time was obviously pretty controversial, and people are like, what are you doing?
know the way a science fiction writer does but thenmeanwhile everybody else is Marcel PR is practically a contemporary of wells andhe is thinking about time more directly
And in the end, I mean, there were some kind of comically bad attempts, like Marcel Beckett.Nobody's called Marcel Beckett.But Joseph Anton, which came from Joseph Conrad and Anton Chekhov, seemed to have the merit of sounding like a name somebody might actually have.
I'll leave some up here just in case. If you are in the back and you don't get one, there's plenty here. So what I want to do is invoke this notion of whatthe anthropologist Marcel Mauss liked to call the "gift economy" because he was studying American Indians and looking at how certain cultures came up withwhat they call potlatch and that was the opposite of the normal capitalist model of scarcity.
We have that want to become a nurse.And we have Marceline that want to be a biochemist.And they all have dreams, dreams and they never think about it when they start at five years old at the school.
And that was really magical.And Morgan Marcell, who's an ensemble member in the show from the original cast, she and I created The Eliza Project,
And this is more or less stabilized because there are a few human beings.Let's have Marcello--
I saw this show right when it opened on Broadway.My friend Morgan Marcell was one of the dancers in it at the time.And I also knew Lin from "Heights." And so when I saw it, it was standing room.
So it's something I feel very thankful for.And I knew Marcello, the founder, along with Michelle, because we had actually worked on a company together in the YouTube space usingYouTube celebrities to basically send traffic to branded videos.
That was in a way the reason I didn't think I could make a Holocaust film because it was too personal and emotional for me.But then I learned that first Marcel Marceau was Jewish and that he saved children in the Holocaust, which I had no idea.And I started getting intrigued and started doing research at the time my film "Hands of Stone" was being premiered at the Cannes Film Festival.
Scouts of France during the war.He's the guy who invites Marcel to help him with the children in the film.He was 106 years old living in Paris when I met him.
have a lot to risk if you're if you're the one that everybody hates on that season so uh other than the rapping guyfrom All Star what was it Marcel um he seems to have done well he he's he'scaptured all that hatred and used it for the something good um so it was fun to be and you know I I had a really weird
But you start thinking about fashion and you realize, okay, this is a hugely problematic field, a hugely problematic industry. And I'm taking a quote slightly out of contextbut it still really applies: Marcel Duchamp said, "Living is more of a question of what one spends than what one makes." And we have become, it's so true because we are todaya culture that is defined by what we consume not by what we create. So fashion by definition
This one shares the perspectives of three very different female characters: a photojournalist named Melanie, an Indigenous farmer named Modesta,and a social worker named Marcela.The novel is set at the height of “el tiempo del miedo,” “the time of fear,” in 1980s Peru.
We are so lucky to have Sheila Marcelo here today to talk to us about her company, Care.com.
This afternoon's talk is with Marcelo Gleiser, who is a Professor of Physics and Astronomy at Dartmouth College, and he's made numerous contributions
So a really famous one is a urinal that Marcel Duchamp put in basically a gallery setting.
Thank you, Marcel for the invitation.
We had one of the best defender in the world with Marcel Desailly, the best outside back with Lizarazu
Like, just how like Marcel Duchamp took a bicycle wheel and put it in different contexts, and put it on the stool, he created a monumental piece
made being played around the island so that was a real interesting thing, turning upside down the idea of music and value, music and economy, and saying thatthe gift which people like Lewis Hyde and Marcel Mauss write about very eloquently. The gift is what broke the ice. So I'm telling you guys a story here.I mean, I could easily, because we're at Google, I could get into hardcore theory speak about the notion of the metrics of how you measure happiness and
Modesta’s story is written in the second person, inviting us to identify with her as her village is terrorized by the Shining Path.Meanwhile, we watch as Marcela is swayed to the Path’s cause, renaming herself “Comrade Marta.” And then there’s Melanie, who’s trying to shake her government escort and document the truthof what’s happening. Since she’s the one carrying the camera, we might take her to be the witness and memory-keeper.
We talk about it with our students and with our staff.Next slide. Marceline-- Marceline is so special for me.She started at five years old.
Because my family don't have money.And I say, Marceline, you will be one of the first students.And we see her growing into an amazing girl.
How'd you get involved?I got involved with that because Phillipa Soo and Morgan Marcell started this project.What we do is that we go into Graham Windham, the orphanage that Elizabeth Hamilton started.
And actually, Alexia actually got-- she would get, like, notes from headhunters trying to poach her away, which was amazing.But three years later-- so I invested in this business when Marcello ended up deciding to do this business instead of the other one.He said, why don't you invest in this new business?
Letters B" based on this idea with my colleague Marcelo Gleiser and my grad student Sam Cormack.
and that I am actually OK.The typical thing would be for Barbie to rough him up and for Marcel to be able to survive and not speak, and then he lets them go.
And people spend more time playing these games than they would reading Marcel Proust.
And this man in his 20s, Marcel, decided that he would tell her a story.
customer acquisition cost right so if see you started by a friend of mine named marcello cabarrus he had work with me and i had worked with him on this
from. And Marco Krapels real name is Marcellus. And I kinda, he said "You know, we have to
New York City and they said they would accept any artwork. So Marcel Duchamp sent in a urinal and they they sent it back. They said no no we just want artwork and Duchamp said it is artwork. And
Happily, one of his best friends from university was Marcel Grossmann, who had become an expert in geometry, who was a mathematician.
And since I was going to France, I thought maybe I could meet some people over there.And that's how I was able to track down George Lowinger, who is Marcel's first cousin and was the head of the Jewish BoyScouts of France during the war.
He's just a brilliant mime.His name is Lorin Eric Salm, who studied with Marcel Marceau for years at his school in France.And he taught me the history of mime.
and that I am actually OK.So I started thinking about, what would Barbie ask Marcel?
and that I am actually OK.Well, it was interesting because one of the things that Marcel learns in this story is
And I'm just participating in it, like the Marcel Duchamp's urinal.
On the shuttle, I'll read one more page, maybe two if I recognize all the words about Odette and the ladies who come to her Wednesday afternoonsand discuss where they have their dresses made or about a brothel where the madame always urges Marcel to try out a Jewish prostitute with messy hair.She's better educated and a better conversationalist than the others says the madame.
In 1917, in a very, very famous gesture Marcel Duchamp took a urinal, said
this art, called it "Fountain," signed his name, Marcel Duchamp, put it in a museum in Paris,
So on the left, you see the very famous Marcel Duchamp parody where it's got a little mustache and a beard.
If you do this, your work and your theft will be authentic." Now Marcel Duchamp he said, "I don't believe in art.
"Kinky my elbow," says Krazy, "I just had it marcelled." So this idea of curly hair being represented by the tail
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