How to pronounce“wari”in English

Waring on crime and 40 Years of Waring on drugs it's going to take a lot more than the sort of budget driven uh minor reforms that many of the

waring parties in the Middle East that you can imagine.

Adrian Danchig-Waring: I was just always dancing and I started doing some Russian folk dance. I grew up in San Francisco and I performed with like a youth company and my parents just

Adrian Danchig-Waring: I mean I'd say it was at 13. I think it was sacrificing so much in the way of sort of traditional academic path and the socialization that you experience

Adrian Danchig-Waring: There's also so much adrenaline pumped like you're working like your whole day builds to this climax, this performance, so it's like you can't go home

Adrian Danchig-Waring: Yeah. Amanda Hankes: Adrian Danchig-Waring: But I think that the company class like taking ballet classes every morning is this really unique element of the ballet dancer's life 'cause everyday

Adrian Danchig-Waring: It's like you re-establish that fluency in the morning and then you speak it all day.

Adrian Danchig-Waring: I guess it really depends on like what the role is --

Adrian Danchig-Waring: I don't believe that.

Adrian Danchig-Waring: Also something interesting that Amanda touched on and that is like in a given performance, one of us might dance three separate roles in three separate ballets

Adrian Danchig-Waring: Yeah. Amanda Hankes: It's completely . You could have three different types of shoes that you're wearing which affects how you move and three different characters. I think

Adrian Danchig-Waring: There are ballet masters on staff who are each responsible for a given allotment of works. So you go into the studio and whoever's in charge of

Adrian Danchig-Waring: I mean I think one of the most exciting things about New York City Ballet is that there's this legacy of Balanchine and Robbins sharing this company,

Adrian Danchig-Waring: I mean it's interesting. Again it sort of illuminates this polarity that exists in that much what we do is repertory it's like learning existing information and

Adrian Danchig-Waring: It really depends on the role. I think for like corps de ballet things you often, it's about getting in line and making the line like the physical line

Adrian Danchig-Waring: I accept that, I accept what you're saying.

Adrian Danchig-Waring: Yeah, so Dancers' Choice is this really interesting opportunity and challenge for us. It is traditionally, the model of it is this that our Ballet Master

Adrian Danchig-Waring: They're unwinding. So we got in touch with some friends who make film and kind of cultivated this and this is the outcome of it and the hope would be

Adrian Danchig-Waring: Yeah, the most active one today is that we shot a documentary that will screen the night of this performance.

Adrian Danchig-Waring: They're in 15 hours left of a 40 hour -- Amanda Hankes: We're hoping it comes through by Sunday.

Adrian Danchig-Waring: It must be DSL.

Adrian Danchig-Waring: Great incentives for people.

Meghan Kent: Adrian Danchig-Waring: And then we sort of wheedled it down -- Amanda Hankes: You weed it down by picking like who you would envision casting in these

Adrian Danchig-Waring: They're amazing.

Adrian Danchig-Waring: Or hearing.

Adrian Danchig-Waring: Highly immersive is what I would call it.

Adrian Danchig-Waring: Yeah. So ultimately we came up with something that we really felt like tied into this narrative of exploring the importance of these muse relationships.

Adrian Danchig-Waring: I also think because it's like by the dancers for the dancers there's a really palpable energy that surrounds it, that surrounds the rehearsal process now that

Adrian Danchig-Waring: Yeah -- Meghan Kent: you wanna talk about that?

Adrian Danchig-Waring: I cut the stencils -- Meghan Kent: Adrian Danchig-Waring: and Mark, our company's designer and I worked on the Dancers' Choice logo which is the Apollo image. We have Janie Taylor, who's a principal dancer

Adrian Danchig-Waring: I mean I think that's, in my mind they're mostly Balanchine works, Stravinsky Violin Concerto, Agon, Apollo --

Adrian Danchig-Waring: Episodes. These things just like, it's also hard for us to put them in their historical context but they still just feel so incredibly visionary. And I think

Adrian Danchig-Waring: Long, lean, exacting, voluminous, dynamic --

Adrian Danchig-Waring: It's true, I mean I think to bring ballet back towards the mainstream in any way is a boon to us.

Adrian Danchig-Waring: Can I say something?

Adrian Danchig-Waring: I think it's really interesting what you're saying about attending the ballet and that much of it stems from the fact that you were brought up doing that.

Adrian Danchig-Waring: I mean in terms of marketing we see the ticket sales as they stand right now are about twice what they were at this point for the previous Dancers'

female #3: Adrian Danchig-Waring: In the Courts at Versailles --

Adrian Danchig-Waring: To a degree. I used to have a lot of anxiety about this and like

Adrian Danchig-Waring: Amanda Hankes: Yeah, it's a very anxiety inducing question it's something we all deal with, but because of the threat of injury it's not like you can, I mean you should plan

Adrian Danchig-Waring: I do think though that like whatever I know I personally do after dancing it will involve going back to school and sort of learning a new skill set

Adrian Danchig-Waring: No, thank you guys for your -- Amanda Hankes: Thank you.

Adrian Danchig-Waring: afternoon interest.

years unite mongolia's Waring tribes and

a loose collection of Waring tribes uh governed by this uh outfit called the

war to get Waring parties to a Common Table to watch negotiations fall apart

decade Michael warie thanks Paul so yeah I'm going to talk about the

Eileen Marie Waris.

The option to select the unscrupulous Wario is vulgar, but allowing gamers, often young gamers, to select the wanton, lascivious Koopa King is beyond barbarous.