And Salvadorans began to come to our office and trying to request asylum which you can't do until you leave the country, right.
They said that the Salvadoran state has to recognize internal displacement by violence and their responsibility to protect victims.
And we presented a claim to the Salvadoran Supreme Court suing those people I mentioned for violating constitutional rights.
Sandra Cornejo is a first-generation Salvadoran American artist born in Houston, Texas.
Historical collective memory of post-civil war Salvadoran culture is an important influence and inspiration for her work.
that'll give you-- I'm Salvadoran , but I met this amazing artist, Margaret Garcia, when I first moved here.
homogeneity and had dated a Salvadoran girl and discovered the joys of of crystal methamphetamine he spoke lustily
In 1980, the Salvadoran military entered into the village of El Mazote and slaughtered over 1,000 people.
the Minister of Justice and Security, and the Salvadoran legislature responsible for violating their constitutional rights in failing to protect them.
They authorized us to draft a law and present it to the Salvadoran legislature about two weeks ago.
And so when we are prosecuting the war crimes committed during the Salvadoran Civil War 30 years ago, we think there's a direct connection with our work
You can imagine that there were 15 defense lawyers representing the highest officials in the Salvadoran government.
And for some, carrying around a hyphenated identity — like Salvadoran hyphen American — feels heavy.
By the time a peace deal was reached in 1992, tens of thousands of Salvadorans had been killed, and hundreds of thousands had fled the country, including my own family.
Let’s take a look at Claudia Hernández’s 2017 novel “Roza, tumba, quema,” translated as “Slash and Burn.” It was inspired by the Salvadoran Civil War,
Today, Cristosal, as a private plaintiff, is prosecuting the Minister of Defense and the Salvadoran Military High Command, the people who
She heard about the type of work that I was doing, which is all based on historical collective memory, like stories from the Salvadoran Civil War.
But we got so many cases that we decided that we should probably close this one program down and begin to think about how we might assist Salvadorans fleeing
and then the second wave, the Latino Americans, and then you break that down to the Mexican Americans, the Salvadorans , the Venezuelans, and things