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What did you say?Remix first time ..It's too much modern ..
Remix first time ..
remix for Public Enemy.
Remix I co-create I live stream my stuff and that's basically exhibitionism in a
remix sound and culture to produce something entertaining but what's important here is that these tools have
remixes of pop songs and a sergeant-looking guy yelling at us maggots to go faster on our treadmill.
Remixing? Remixing music.
Remixing music, that's-- it's too easy now, but it's still very hard to get it right,
remixes this formula surprising me and my guests with conversation topics we didn't necessarily come here prepared to discuss today I am about to die of
remixing culture and putting bits out onto the net and doing cool things to have some sense of the peoples whose lives they're touching when they do it
And remix starts from there.
or remixing.
You remixed the set for the Anjuna Deep Edition.
fomy remixing and you have stuff like these widgets that will show up on your television screen any of you been to the
It was the perfect remix.
And the more I remix my images, the more I feel connected with it, and the more I can understand the ways to do it.
How do you remix it?
and "Scam School" remix that along with partnerships for promotions, we're able to get enough to keep like a three
This is a remix of Eric Snodgrass's "Yoko Engorged," which is about Yoko Ono and her performance art.
And this is a remix of "Fred & George" and "Toy Garbage" down here.
My favorite remix of our songs is the Seven Lions remix of "On My Way to Heaven," because-- it's a weird thing, because obviously, I
When we did a remix competition, people think-- I think people think-- we're going to pick something that sounds like what people think
But that remix just popped out.
and when the remix with Arcángel, J Balvin, Delageto, Sonon comes out, that's going to be
And he wanted to remix it.
everything is remix
silly little remix video and uploading it to YouTube you know when you something like that you're dipping a toe
it is a remix in in a sense but it's not uh it's it's going to be from page one
non-commercial Rec creativity remix is what they do right and it's not just amvs using technology to remix you all
And so to do remixes, you've got to give yourself a little permission.
It was remixed 88 times.
So 88 people made remixed projects of Lemonade Time.
one of most remixed songs, as well, across the continent was that the original version was ready early 2010.
have those remixes available for streaming on the same service.
showed them remixed with themselves and with other remixes, and also displayed the code that corresponded to what was being printed at different times.
So we started as remixers.
are essentially remixing the work of others has a lot of implications on our
Some of the remixes are really good, some are not so good, more are not so good, but, you know, it's who do it,
messages are remixed by consumers um you know jenkins's point which is absolutely
how much messages are remixed by consumers again there is a remixing culture out there it's a incredibly vital part of the internet but it's also
and that can be remixed and remade in different ways and it's not again that every kid is doing this and in every
content doesn't become remixing part
Because there is a chapter remix.
And the Lego block is a remix, actually, from "New York Times" advertisement.
use the content reuse the content or remix the content on any of the Wikipedia sites it's why you see content
So when we did the remix, the other version, she said-- so after playing it, she said, oh, this song is fantastic!
recognizable as the samples in a remix the foundation for Star Wars comes from Joseph Campbell he popularized the
um you know DJ Danger Mouse real remix but anybody who's using culture as part of their production of culture now I'm
Or you'll see classic albums are remixed and remastered, and like there's new tracks on this album.
That everything creative in our culture is remixed from something else.
Listen to native speakers pronounce “remix” in real conversational contexts with synchronized timestamps and subtitles.
To mix again or repeatedly.
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