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So in 3, 2, 1 say with me muraho, Consolee.Muraho. Hi, Consolee. Hi.How are you? Welcome to the Talks at Google.
Muraho. Hi, Consolee. Hi.
murals that you have for people? Can you email it to - Mona Caron: As a matter of fact, I have a Google Map of all my places. Not
Muranos I said well this morano's being what the force converts were called I said there may be something else me
Hiro Murai, the director of that episode, sent me a picture.
And Murali and Sridhar in the Bay Area, in Milpitas to be precise, along with their friends, they joined hands and created one
This mural that you're seeing, snapshots of people's stories, represents the many stories of survivors, and we have to remember that every story is unique.
Hiro Murai, the director of that episode, sent me a picture, and it's me and Alec on the set of that.
Haruki Murakami has his first two novellas are coming out in English for the first time.
the mural within the mural 'cause that like serves - so the mural in the mural is a bit like 'you are here' on a map, you know? You go like, 'Oh, wait, that's', you know?
the mural image of the town, old Agawa. Now, Agawam, territory is pretty much
And just from these murals, you can see the colors, right?
Right now as Murali explained, our hospital in Mumbai is getting ready to be inaugurated in about a week's time.
Like this mural, for example, or even the one just before it.
I would see a mural by David Botello.
And the cool mural painted on a wall, but also the mean teacher who sent you out to the whatever, the bad office.
the perspective of the mural.
Painting a mural. Did you give them the mustache, too?
And this is a mural from their house.
And on that mural, the scenes are interconnectedness with each other, serving the community.
And then Murata kinda Dave: Laughed at you.
the Market Street Railway Mural and it's a 180 degree bird's eye view of Market Street through time.
from the mural. So the mural is on the corner, directly opposite corner is St. Anthony's Soup Kitchen. So every morning there's a line of hundreds of people. I had a constant audience
And so the entire mural has - so basically the way I did that is I basically started
with themselves and the mural.
I'm in the mural. I wanted to show my friends. So I came with a group of friends", to show how he was in the mural. And the people down on Jones Street, you know, they were doing
goes towards murals.
which is a Fenway mural with sort of a squished perspective of the Boston skyline behind it.
River and the mural is the centerpiece on the other side. Well, the water went up to six feet on my mural almost, so, pretty much up to the necks of my people, so I had to
of the mural. I can see the last side of the tower, and then these little windows. And the two statues were something I added on later. and those represent the mill site history
the Fenway mural? >> PEARSALL: Well, most of the Fenway people are famous people. So, it's like Tom Brady and . I put, you know, Phil
who had done this mural for JPL to serve as a backdrop for their test images and so forth and this to me was the last
are like heri murakami Neil Gaiman and Andre Bron and they have really surreal
And aided here with a few Mexican murals-- Mexico is where I live.
You see people-- lowriders with murals, the classic Azteca holding the sleeping princess.
at the-- he painted this big murals, and she decided to make these small paintings.
They would put a nice mural on the side that would look pretty as it passed us by safely.
I did a little bit of mural and-- oh, more.
And they had this giant mural.
It's the difference between a mural and a little cameo.
is in an area in muray Hill that some sometimes we call Curry Hill and it
or help us paint a mural in our home in southern Spain.
And they were touring a bunch of murals.
So they are saying in this mural, look at us, we are literate.
This particular Simon-- this is also in Murang'a, Kenya, same place, same loan, same company.
And we got permission from Murata to film at Kikunoi.
because she has several different public murals, enormous - I'm talking about - when you think of murals, you normally think of like, 'Okay, the little thing on the side of my drugstore
And so this is still the same mural - I'm just pulling back from the tiniest to the largest so - .
So this is the part of the mural that is not a second, third hand, secondary, tertiary, et cetera, et cetera historical document. Things of the past I've copied from pictures
there and I was looking at the mural and this person comes up and gives me the whole, the full tour".
Male Audience Member #1: So the mural you did in the Tenderloin. How long did that take
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