How to pronounce “loudness” in English

This is the-- I'm like, OK, I know the-- there come these people.But the loudness was joyful.

And also the low-techness of it-- I also went to a miso company once for writing a pamphlet for the Miso Association,and the loudness and the sound and, it was like the cacophony, and krah-krah-krah.It was really hot and like pah-pah-pah pah-pah-pah-pah.

So then for instance, there's a chapter in here about-- so repetition is chapter one.The other chapters as you said include-- there's one about loudness, there's one about quietness, and so forth.Until by the end of the book, I'm talking about categories that only I have thought of and are only particular to me.

And it was fine.Oh, do you use the loudness as an armor against-- No, I use the loudness, again, to get attention.

Millisecond changes, and you'll hear rhythmic differences.Spectral changes, and very slight changes in loudness.The astonishing sensitivity of the ear is-- we just sit around hearing.

Thatís the first magnetic drive, so thatís the ancestor of your hard disc.always, thereís always gonna be some loudness there, I think thatís important.

I would use my finger like this, and I would just be like, up, down, up, or just go straight up.It would be 120, 127 in MIDI note, but like 100% loudness.And then if I wanted to add reverb, I just used my secret finger posture, which basically activates the reverb fader,

but then the composition happened in a much more traditional way.So what I discovered that I loved is if you take a set of notes that have different time intervals between them and different loudnessesof each one, and then you just double each entry, or triple each entry, it's pretty magical to hear three identical notes