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demons and other figures in them.of fakes of Jackson Pollack's out there now.
of fakes of Jackson Pollack's out there now.
But not all fakes are equal.
to the proliferation of fakes, specifically instances where fraudsters are substituting cheap lookalikes for the genuine thing.
with the fakes that are popping up in the gem market, but he also offers some material means to be able to differentiate the fakes from the real things.
You collect fakes.
Even fighting fakes, you know that's part of the journey.
The problems of fakes in Southeast Asian art are very longstanding and complicated.
And the fakes are on there too.
Hay 2 grupos especialmente sensibles a los fakes, que es el tema de la inmigración.
are by definition bad and that non-fakes are inherently superior.
And I would argue that not all fakes are problematic, and that what consistently underscores objectionable fakes are elements of deception, of artifice,
And I think about "Genuine Fakes" as a biography of authenticity that's told through eight objects.
And Pliny attributes the abundance of fakes to humanity's obsession with precious gems.
But what about the fake fakes, like, the things that are actually fake or forgeries and frauds and were never anything else?
And there's issues about fakes that they are trying to address.
He has all these up fakes and tricks that go right back to the '50s and '60s.
We almost felt like cheats or fakes, that we were actually sitting in that table with all these people.
We had an exhibition on fakes.
Museums used to get rid of their fakes or put them in the lowest level of the basement.
Why did the market for these fakes develop?
And enough of the confirmed fakes of the 1920s, and '30s, and early '40s, enough of them have been seen or published
In a world that's becoming more concerned about AI fakes, now having a digital signature that proves you are who you say you are--
And he describes that if you really look at these fakes, you'll be able to, quote, "see the blisters in the body
auctioning off one of the premier 20th century collections of fakes that actually included a couple of Spanish Forgers as well, which brings up
information, deep fakes.
What could become the equivalent of fake news or deep fakes on your platform?
Forest is going to talk to us about fakes and forgeries in Southeast Asia.
Fakes should be subtitled, like in bad movies you need subtitles.
and in the presence of various kinds of deep fakes how that's going to affect how we live and work, and more importantly,
dive into in my book, "Genuine Fakes."
And that's another big theme that comes up a lot in "Genuine Fakes" is how the historical context of objects determine how we think about them.
One of the things that I want to talk about are what happens to fakes after they're debunked.
So in short here, "Genuine Fakes" is about the material lives of things, ways to unpack what we think is real, what we think is fake, how that changes over time.
I think that, with deep fakes, we're at a point now where no mediated experience can be taken at face value
So everything from fake news to bots that spread propaganda and deep fakes, which are highly convincing video that's algorithmically altered
This motif right there in the middle of its crown is only found on fakes that were made in the 1920s and 1930s.
One of the reasons why the Asian Art Museum wants to publish its fakes is of course any time any museum or any
In fact, one of the first deep fakes which weren't named that just yet that I looked at was by a Stanford University computer science team who had shown that
And that often tells us a great deal about the artist's intent and helps us detect fakes and so forth.
So for instance, instead of now taking this opportunity and teach everyone how to tell fakes from facts, how
Bueno, si ya entramos en el tema fakes, una de nuestras competencias hoy en día es el fact checking, que fuimos los primeros en traerlo a España, ¿no?
Teníamos por un lado la verificación del discurso político, teníamos por el otro lado los fakes.
skills to do it, but the same could be true for really sophisticated use of deep fakes and really running large scale disinformation campaigns.
And I think that one of the things that's really come through in my research with "Genuine Fakes" is that the fake in fake news conveys this idea that fakes
And I maintain-- and this is sort of the thematic thing that I would hope that we take with us with "Genuine Fakes" is
And so all of these are examples of cool genuinely fake objects that you will find in "Genuine Fakes."
And then I think that we'll have some time to explore sort of these questions of authenticity and fakes and realness.
It's frauds, forgeries, and fakes.
So if you're an artisan in Southeast Asia, if you can produce high-quality fakes and sell them to dealers in
collector finds a fake and publishes it, then we can compare against the fakes.
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