Adrian needs a sibling.
adrenaline sports or who overtrain for exercise, exposure, and eventually just wear out that balance.
Adrenaline will come and stimulate the heart to beat harder and beat faster.
Adrenaline flooded my system.
Adrian Ries on the piano, Ronnie-- how do you pronounce your-- Malley.
adrenaline and cortisol.
Adrien est avocat spécialisé en droit du numérique.
« Adrien va recommettre cette chose-là ».
Adrenaline and cortisol floods into the brain's-- into the blood system.
Adrenaline, it's flight or fright.
adrenaline. So what did you do to pivot off that situation when you were suddenly confronted with this massive crowd, and you had to do something about it?
Adrenaline in the kidneys, but noradrenaline in the brain, which means the closer you get to the deadline, the more you move into sympathetic nervous system
adrenal fatigue. A lot of you guys have heard of adrenal fatigue.
Adrian Lester stared in it-- amazing story.
adrenaline is our fear hormone and we talk about that in a minute but suppose we're under some chronic or persistent stress well then we start prod use our
Adrenaline. Well, adrenaline is triggered by the system. I don't know if it's actually technically a neurochemical. I would have to Google
Adrenaline misplaced, gushing for nowhere now, against conflicting sights and tones.
Adrian's hospital was free at the point.
adrenals and eat for adrenal happiness.
adrenaline gets going and you see the world kind of like sharpens and shrinks.
adrenaline around when you get this peripheral visual acceleration or speed.
Adrian Smith on the left, at the University of Nottingham at the time. Alan Gelfand at the right at University of Connecticut at the time. And when Gelfand, the minute he
Adrian Danchig-Waring: I was just always dancing and I started doing some Russian folk dance. I grew up in San Francisco and I performed with like a youth company and my parents just
Adrian Danchig-Waring: I mean I'd say it was at 13. I think it was sacrificing so much in the way of sort of traditional academic path and the socialization that you experience
Adrian Danchig-Waring: There's also so much adrenaline pumped like you're working like your whole day builds to this climax, this performance, so it's like you can't go home
Adrian Danchig-Waring: Yeah. Amanda Hankes: Adrian Danchig-Waring: But I think that the company class like taking ballet classes every morning is this really unique element of the ballet dancer's life 'cause everyday
Adrian Danchig-Waring: It's like you re-establish that fluency in the morning and then you speak it all day.
Adrian Danchig-Waring: I guess it really depends on like what the role is --
Adrian Danchig-Waring: I don't believe that.
Adrian Danchig-Waring: Also something interesting that Amanda touched on and that is like in a given performance, one of us might dance three separate roles in three separate ballets
Adrian Danchig-Waring: Yeah. Amanda Hankes: It's completely . You could have three different types of shoes that you're wearing which affects how you move and three different characters. I think
Adrian Danchig-Waring: There are ballet masters on staff who are each responsible for a given allotment of works. So you go into the studio and whoever's in charge of
Adrian Danchig-Waring: I mean I think one of the most exciting things about New York City Ballet is that there's this legacy of Balanchine and Robbins sharing this company,
Adrian Danchig-Waring: I mean it's interesting. Again it sort of illuminates this polarity that exists in that much what we do is repertory it's like learning existing information and
Adrian Danchig-Waring: It really depends on the role. I think for like corps de ballet things you often, it's about getting in line and making the line like the physical line
Adrian Danchig-Waring: I accept that, I accept what you're saying.
Adrian Danchig-Waring: Yeah, so Dancers' Choice is this really interesting opportunity and challenge for us. It is traditionally, the model of it is this that our Ballet Master
Adrian Danchig-Waring: They're unwinding. So we got in touch with some friends who make film and kind of cultivated this and this is the outcome of it and the hope would be
Adrian Danchig-Waring: Yeah, the most active one today is that we shot a documentary that will screen the night of this performance.
Adrian Danchig-Waring: They're in 15 hours left of a 40 hour -- Amanda Hankes: We're hoping it comes through by Sunday.
Adrian Danchig-Waring: It must be DSL.
Adrian Danchig-Waring: Great incentives for people.
Adrian Danchig-Waring: They're amazing.
Adrian Danchig-Waring: Or hearing.
Adrian Danchig-Waring: Highly immersive is what I would call it.
Adrian Danchig-Waring: Yeah. So ultimately we came up with something that we really felt like tied into this narrative of exploring the importance of these muse relationships.
Adrian Danchig-Waring: I also think because it's like by the dancers for the dancers there's a really palpable energy that surrounds it, that surrounds the rehearsal process now that
Adrian Danchig-Waring: Yeah -- Meghan Kent: you wanna talk about that?
Adrian Danchig-Waring: I cut the stencils -- Meghan Kent: Adrian Danchig-Waring: and Mark, our company's designer and I worked on the Dancers' Choice logo which is the Apollo image. We have Janie Taylor, who's a principal dancer
Adrian Danchig-Waring: I mean I think that's, in my mind they're mostly Balanchine works, Stravinsky Violin Concerto, Agon, Apollo --