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Listen to native speakers pronounce “stanton” in real conversational contexts with synchronized timestamps and subtitles.
And I'm going to go back and forth.Stanton and Hamilton, good.
Stanton and Hamilton, good.
Stanton, on his death, ceded it to the Nature Conservancy, 90 percent of the island.
Stanton tells a story and then in her online story she that's
Stanton said that the total online revenue of the times is now sufficient to cover the total payroll of both print
Andrew Stanton: Sure.
Andrew Stanton: My first time at Google.
Andrew Stanton: Really?
Andrew Stanton: I wanna talk to you.
Andrew Stanton: John Carter.
Andrew Stanton: I was 11.
Andrew Stanton: It’s an embarrassing draftsman skill.
Andrew Stanton: That’s me.
Andrew Stanton: And I was 11 and then I think if there’s another one there, that’s, uh, that’s Mark Andrews at age 10.
Andrew Stanton: Yeah, I hate him.
Andrew Stanton: And then I think also you have Michael Chabon.
Andrew Stanton: The one thing common between all three of us, besides that we all wrote on this picture, is that we all were infected by the book that this movie came from, uh,
Andrew Stanton: So we said we had to have a little club.
Andrew Stanton: We didn’t know this until we were all writing.
Andrew Stanton: So you couldn’t write on this film.
Andrew Stanton: Yeah.
Andrew Stanton: He actually, 1912 was when he started.
Andrew Stanton: Exactly.
Andrew Stanton: So I find that if you have a problem with me taking license with Mars, then it’s a sad world you live in, that you can’t take license and have stories
Andrew Stanton: And that’s what Burroughs did.
Andrew Stanton: But the interesting thing is that, the thing that I loved about the book, and what we felt was the DNA about it, the thumbprint about it to capitalize on,
Andrew Stanton: That was, that was, that was something we added.
Andrew Stanton: And some of those things very quickly became tropes.
Andrew Stanton: Cause I don’t have any friends.
Andrew Stanton: Yeah, I’ve never been to Hollywood.
Andrew Stanton: I live in Mill Valley and I work at Pixar, so that’s the nice thing.
Andrew Stanton: The cost of living in Mill Valley.
Andrew Stanton: I don’t know.
Andrew Stanton: Yeah, that’s gonna go to his head.
Andrew Stanton: Feet?
Andrew Stanton: Oh, I see where you’re going.
Andrew Stanton: Well, I’m gonna try to make a connection between those two and feet.
Andrew Stanton: The thing he’s talking about is weight.
Andrew Stanton: Including that fish movie that we will not mention.
Andrew Stanton: What?
Andrew Stanton: And I was like, “I have never directed a computer or an inanimate object in my life.
Andrew Stanton: And we based it around how John Lasseter worked.
Andrew Stanton: Well, no.
Andrew Stanton: They seemed to be putting it where they wa- I haven’t had to talk that much with Brad Bird, but we did compare that that was happening to both us.
Andrew Stanton: It’s where everything was built that you saw outside.
Andrew Stanton: There were two chickens.
Andrew Stanton: And if you see the movie, you’ll see there’s two chickens.
Andrew Stanton: And I really didn’t need two chickens.
Andrew Stanton: Oh my gosh, so it’s wow, that’s a long answer from way back from that questions.
Andrew Stanton: Yeah. Chris DiBona: So we get back to the question of CGI actors now right, so Andrew Stanton: CGI actors.
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