Kober began her analysis of the script in the early 1930s.
Kober earned master's and doctoral degrees in classics from Columbia.
Alice Kober never married, nor is there evidence she ever had a romantic partner.
As Kober approached the far more difficult problem of Linear B, considering form independent of meaning let her spot patterns that others had missed.
As Kober discovered, because of their crucial position in the word-- she called them the bridging characters-- these characters will always start with the same consonant
Then along came Alice Kober , the great unsung heroine of the Linear B decipherment.
It was Kober , sitting night after night at her dining table in Brooklyn, who hunted down and identified the hidden patterns within the script that would furnish the key to
Among the patterns Kober identified were the ones that can be seen in these three groups of related words.
And scholars also agree that Kober herself might well have been the one to decipher it if she had only lived a little longer.
This is the abstract grid that Kober drew up with just five pairs of characters, including the two pairs we saw in the
The other, Alice Kober , was a fiery American classicist, the lone woman among the serious investigators, whose immense
Alice Elizabeth Kober was born in Manhattan in 1906, the daughter of recent Hungarian immigrants.
At Hunter, Kober majored in Latin and minored in Greek.
triumphal narrative, Kober 's vital contributions to the decipherment have remained largely overlooked until now.
Over the years, Kober hand-cut and annotated 180,000 cards,
From the beginning, Kober approached the decipherment differently than any other investigator, and these differences let her progress farther than anyone else had.
Now, Kober knew that to solve the riddle of Linear B, a decipherer would have to inhabit a world that was, as
Michael Ventris would waggishly name these trios of related forms "Kober 's triplets."
The leap involved the sets of inflected words he had dubbed Kober 's triplets.
And of course, Kober , who met him once in 1948, and they clearly didn't think much of each other, he was committing
When she began her analysis of Linear B, Kober kept her extensive tabulations in a series of notebooks.
But by the late 1940s, Alice Kober was seriously ill.
Now, most of the groups Kober identified contained three related words, and columns two and three here are typical in that respect.
Before she died in 1950, Kober was able to draw up grids of these related characters.
And by pure coincidence, the solution to the riddle is all too relevant to Alice Kober 's life.
With this in mind, Ventris began assigning sound values experimentally to the characters in Kober 's triplets, based on the relationships among the
In the end, after spending almost 20 years attacking the problem, Alice Kober almost kept her word.
On the blank sides of her homemade index cards, like a cryptanalyst unraveling a cypher, Kober notated in her tiny hand every possible statistic about every
Now this pattern of inflection, in turn, let Kober identify critical relationships among the
And it was precisely these relationships that would let Michael Ventris, after he read Kober 's published articles in
Linear B. Now the extraordinary thing about Ventris is that he was neither an archaeologist, like Arthur Evans, nor a classicist, like Alice Kober , nor a scholar in any other
What if, Ventris wondered, some of the related words in Kober 's triplets were actually related forms of Cretan place
And it is thanks to three remarkable 20th-century heroes, Arthur Evans, Michael Ventris, and Alice Kober , that
And Ventris, through doing years of minute frequency analysis, much as Kober was independently doing, made the