Kea here.
Kea and thus gain access to twelve and a half percent.
Kea if we don't -- if we're not using adaptive optics the characteristic size of an image is a half an arc second.
Keanu Reeves and Sandra Bullock, et cetera, but it's basically "Die Hard" on a bus.
Keaton he's my he's my all-time favorite uh Batman I wish he'd done
"Keanu." So let's welcome Keegan-Michael Key and Jordan Peele.
Keanu. We love the idea of giving the audience a taste, and having their imagination go what the fuck?
Keanu was like, that's fantastic.
"Keanu" comes out April 29, so go see it.
Keats was struggling to understand what makes one person like a William Shakespeare so much more creative and imaginative than another.
Keats that Bunch uh they brought the first person in in the wake of the Industrial
Glen Keane is our director.
Glen Keane, our director, just is a lover of stories.
Well Keanu Reeves does a press check every time before he shoots.
interviewed Keanu about the movie, and he said, those guys are wacky.
Buster Keaton was that.
Liam Keating, who was the world's expert on hypothermia, who started researching me and asking me if I'd come to London to be part of their research study.
Zoë Keating: Mm-hmm. Robert Krulwich: Your sounds come from this instrument.
ZoÎ Keating: This. Robert Krulwich: Can you explain what else you got?
ZoÎ Keating: Well, so I've got this cello.
Zoë Keating: He's a boy.
Zoë Keating: It's very hard to say.
Zoë Keating: Yeah, definitely.
Zoë Keating: Can you rephrase that question?
Zoë Keating: By a shape, I mean like for example a little, it might be some sort of translucent, semi-translucent, you know.
Zoë Keating: Well, the thing is that it means whatever it means you at that moment and that's a completely valid interpretation.
Zoë Keating: Yes.
Zoë Keating: There you go.
Zoë Keating: Well, I was sort of, I mean, "Sun Will Set".
Zoë Keating: That happens all the time.
Zoë Keating: Yeah. Robert Krulwich: So then are you-- Zoë Keating: That's how I write new music.
Zoë Keating: Well, in the, I'm recording something and I might do it wrong.
Zoë Keating: Yeah, definitely.
Zoë Keating: But that is kind of true in a way.
Zoë Keating: Do my foot?
Zoë Keating: Yeah, I could play.
Zoë Keating: Yeah, I'll play another piece.
Zoë Keating: This one has some starting and stopping in it, which you might like.
Zoë Keating: Thank you.
Zoë Keating: Yeah, I usually don't play in socks.
Zoë Keating: It's not something you can look for on Zappos.
Zoë Keating: I think just looking nice.
Zoë Keating: Ah. I didn't know that.
Zoë Keating: I didn't know that that was on the website.
Zoë Keating: It's like when you hear something in commercials.
Zoë Keating: Hmm. Well, I'm gonna have to see this.
Zoë Keating: Yeah. I'm a very deliberate eye-closer.
Zoë Keating: Yeah, yeah it is. But you can, just the cello remains.
Zoë Keating: The landscapes?
Zoë Keating: Well, iTunes is flat. It's 99 cents per song.