How to pronounce “hernandez” in English

Jose Hernandez: This is the mid-deck guys; the three of 'em.

Jose Hernandez: The-the exhaustion of the three engines continuing on.

Jose Hernandez: It's-it's the exhaust -- unidentified voice: your seat if you want to, do it.

Jose Hernandez: And right there you saw the explosive bolts for the separation.

Jose Hernandez: Next up you're gonna see is the separation from the external tank.

Jose Hernandez: and trajectory.

Jose Hernandez: We're happy that we didn't bounce off of the Station.

Jose Hernandez: And then for about a period of about 30 seconds our-our pilot takes control, but the main control is our commander, he's the one that actually lands it.

Jose Hernandez: This is the -- unidentified voice: landing gear unidentified voice: .

Jose Hernandez: This is the perspective of the, of the pilots using the Heads Up Display, HUD display.

Jose Hernandez: And let me tell you, four hours later after that we were in at Domingo's. I was, I had a beer in my hand and --

Jose Hernandez: Yeah, I think I-I think he's right in a sense that-that we've only got three missions left for the Space Shuttle Fleet and then they're gonna get retired.

Jose Hernandez: Yeah, I mean it's the equivalent when we the-the-there's no denial that in ending the space program the Shuttle space program, there's gonna be a shift of talent

Jose Hernandez: Oh, thank you very much.

Jose Hernandez: Thank you.

Jose Hernandez: Exactly.

Harley or Jay Hernandez, maybe that would be OK.

My name Ana Dias Hernandez.

This is Rudy Hernandez, one of your little monsters from Portland, Oregon.

Jose created the Jose Hernandez Reaching for the Stars Foundation in December 2005, a non-profit organization.

unidentified voice: Jose Hernandez: And we do have some cameras outside where, that we control and we see this through cameras.

unidentified voice: Jose Hernandez: Pretty soon the, the Shuttle starts behaving like an airplane; the aerodynamic surfaces start taking effect.

unidentified voice: Jose Hernandez: And you can see how C.J. Sturckow, our commander, lands this.

So the heroes of this story are Hernandez-Diaz, Schisterman, and Hernan, who published this paper in 2006 that explains

We met this gentleman named Rudy Hernandez, who's from southwest Detroit, who really set the tone.

I mean that's like Hernandez.

Jose Hernandez: At this point now we're waiting for the latches to latch onto the Station and then we're gonna get some confirming cues, some lights that tell us that capture

Jose Hernandez: And just so, just so he make sure he gives out the right amount I think I signed six of 'em alright so --

Jay Hernandez, slash Jessie-- and is in a very happy place in her life.

unidentified voice: Jose Hernandez: You see the speed brakes are out.

Thanks for watching this episode of Crash Course Latin American Literature which was filmed at the Carlos Hernandez studio in Indianapolis, and was made with all the help of these kind people.

Thanks for watching this episode of Crash Course Latin American Literature which was filmed at the Carlos Hernandez Studio in Indianapolis, and was made with the help of all these tree huggers.

This is almost an omen to one of the Ansel Adam shots, the Hernandez shot.

I think people like that, saying-- and actually, Christian Hernandez tweeted it yesterday.

With that please let me introduce you Mr. Jose Hernandez.

And-and-and while a lot of kids looked forward to summer vacation, the Hernandez kids kinda

Thanks for watching this, the final episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez Studio in Indianapolis,

Thanks for watching this episode of Crash Course Latin American Literature which was filmed at the Carlos Hernandez Studio in Indianapolis,

Thanks for watching this episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez Studio in Indianapolis

Thanks for watching this episode of Crash Course Latin American Literature which was filmed at the Carlos Hernandez Studio in Indianapolis

Thanks for watching this episode of Crash Course Latin American Literature which was filmed at the Carlos Hernandez Studio in Indianapolis, Indiana

Thanks for watching this episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez Studio in Indianapolis and was made with the

Thanks for watching this episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez Studio in Indianapolis, and was made with the help of all these innovative people.

Thanks for watching this episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez Studio in Indianapolis, and was made with the help of all these spooked people.

Thanks for watching this episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez Studio in Indianapolis,

Thanks for watching this episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez Studio in Indianapolis,

Thanks for watching this episode of Crash Course Latin American Literature which was filmed at the Carlos Hernandez Studio in Indianapolis, and was made with the help of all these nice people.

Thanks for watching this episode of Crash Course Latin American Literature, which was filmed at the Carlos Hernandez studio in Indianapolis and was made with the help of all these nice people.

And the Hernandez