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Listen to native speakers pronounce “guardsman” in real conversational contexts with synchronized timestamps and subtitles.
I try to resist having POV characters who are just there to be a pair of eyes. If a battle is taking place, or someone is being murdered and I don't have a POV characterthere to see it, I tend to present that as a report that someone receives or a rumor, rather than just switching into third guardsman on the left--so I can have him see that. 'Cause I don't like that as a reader and I don't like that as a writer. But one of the criteria--. So, I guess one criteria is do they have a story
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