How to pronounce “edit” in English

Edit, cut it out.

Edit it all out.

edit that story, but you would not ever have a data editor.

Edit?

edit, to make a compelling experience.

edit the book because we were strongly

edit.

edit Droid even before Avid and the idea was it used laserdiscs to give you kind

editor wrote in the in his copy edit of

edits. I'm wanting to edit on the screen.

Editing and mixing by Will Stanton.

editors, fact-checkers, animators, camera people you don't even see right now, so much more, all working together to make journalism that's accurate,

editor bet him that he couldn't write a children's book using only 50 words. And the result of that bet was Green Eggs and Ham. That's right.

Edition of this book and how it was time to write this, I think some of that is related to what we're

Edith is an amazing human being.

edited that how did that myself right so just to make sure we will do that we all but how many of us like to own up and

editing my words to convey my real intentions Of course, with that power, comes the responsibility as well say, if I take part in creating 90% of the contents

Editor gives you back the comments.

editor of The New Yorker and he's written a book on creativity you should I it regardless of your role

edition . B. COATES: In the last two decades, fragments of her poems have been rediscovered, and they revealed whole sections

Editing and doing what you want with the recipe I think is why recipes are there.

Edits happen without warning and truncate sentences throughout.

Editors want to write about it.

editor and says you know time travel is really impossible and I can prove it here's why you could go back and kill

edited I have to do the headline the picture I choose it I put it whenever I want it's quite a lot of freedom and so

editing quickly on the web and so that that is actually the bus that gets you from Honolulu airport to anywhere you

editing and we believe that this is what the world needs today that the world needs free unbiased

editing and you know like I'm the editor you know I'm getting to choose how to frame it but what makes these

Edith, this is my assistant.

editor, or the photo editor, or the section editor, so not even the censor-- nobody actually recognize what

editor with a newborn child had been thrown out into one of the grimmer job markets in recent memory without so much as a word of explanation.

Editorial. Editorial? How many people are from editorial?

Editorial cartoonist. I've been with "The Economist" magazine for 35 years.

Editorial that is serious and cartoonist that is funny.

editors at "The Economist" said, great, Kal, go for it.

Edited that myself.

Editing is expensive.

edited their own sketches.

edited one of the books.

Edithís an assistant Professor of history at Stanford University.

Edith Sheffer: Thank you, Scott.

Edith Sheffer: So, compared to international relations today, the Cold War, in retrospect, can appear to be a simpler, steadier time.

Edith Sheffer: And then here you have workers crossing illegally.

Edith Sheffer: So the memory of the border is as important to understanding it today as what actually happened.

Edith Sheffer: So you have four mass crossings and then four returns to normalcy which I think makes the sensation of these mass crossings

Edith Sheffer: Now this argument is very easy to make for the immediate post war period when border policy and the two German states

Edith Sheffer: They were stealing mines from the border fortifications and selling them to West German and American service men on the other side.

Edith Sheffer: Even in the 70s and 80s the border was plagued by malfunctions, defunct trip wires, signal fences, heavy snowfall

Edith Sheffer: Crossing on a dare or something like that.