How to pronounce “daniele” in English

He also created "Corteo" for us in 2005 and has stayed in touch with Cirque over the years.Daniele and his wife had lived in Mexico.He's from Switzerland, originally.

Now I'm very excited to welcome to Google Mark Z.Danielewski.MARK Z. DANIELEWSKI: Hello.

If you're ever going to jump out of a plane, it's very handy.I mentioned Daniele before.

Thank you, Yves, for joining us at Talks at Google.Thank you, Daniele. It's an honor to be with you and your colleagues and beyond about this issue.And you were just talking about productivity and what CEOs are saying about it.

This science is described in many articles and books.Thank you, Daniele. Thank you, friends.

He opened his stall in the Testaccio market in July 2012.And they taste like they could be from San Daniele or some really refined prosciutto maker in Friuli.

to convey through the piece.Well, the idea-- Daniele Finzi Pasca is the creator of the show.He also created "Corteo" for us in 2005 and has stayed in touch with Cirque over the years.

If you're ever going to jump out of a plane, it's very handy.I'll use an example from another show that Daniele did was "Corteo." And in there he had visions of his childhood

Danielewski.MARK Z. DANIELEWSKI: Hello.I thought I would read a couple of short passages from the familiar Volume Three, and then we

I was just interested what it was like writing for the voices of programmers and the tech industry, whether you did any sort of research for that?MARK Z. DANIELEWSKI: Sure.Well, one of the things is that like, "House of Leaves" is all about film, and "Only Revolutions" is really about music, and "The Fifty Year Sword"

We see parts of the book told sort of through messaging applications.MARK Z. DANIELEWSKI: Right.So I'm interested if the technology around us today you feel influences the way you want to present stories as a writer,

if it influences the way you want to communicate as a writer?MARK Z. DANIELEWSKI: Sure.I think it's-- I think my attention has always been there.

Are you thinking about, as you write it, how someone is going to learn to take in the information that you're putting down, that sort of learning process?MARK Z. DANIELEWSKI: Yeah, actually, and that's something I did from the very beginning.In "House of Leaves" it was sort of seen unapproachable.

Are you sort of learning more about the story itself, or has it sort of all been plotted out already and in stone?MARK Z. DANIELEWSKI: Well, I started work on "The Familiar" in 2006, even though there are many things that even predate "House of Leaves".But Volume One, for example, had 100,000 words cut out of it.

Or what was interesting to you about trying to adapt these things into e-book format?MARK Z. DANIELEWSKI: Well, it's also-- part of it's an exploration.I've backed a little away from turning just-- creating sort of enhanced versions.

So I'm interested where that idea came from, what interested you about seeing these thoughts within thoughts within thoughts?MARK Z. DANIELEWSKI: Right.So Astair's thoughts are nested with all these parentheses.

How did you know that it was going to be 27 books, et cetera?MARK Z. DANIELEWSKI: Great question.I did-- I mean again, I was working on this in 2006.

were writing that book, or when you thought the reader would actually absorb it?MARK Z. DANIELEWSKI: Do you remember who told you it was the scariest book?It was on some online thread, probably on Reddit.

It was on some online thread, probably on Reddit.MARK Z. DANIELEWSKI: We have to wonder about that person.The book is designed, I guess, to give room-- to provide room for the reader's fears.

Are there some Easter eggs for "The Familiar" that a new reader should look out for?MARK Z. DANIELEWSKI: Great question.You know I'm not going to answer it.

But I know on "House of Leaves" it was a different kind of collaboration with your sister, how her music overlapped the book and the bookMARK Z. DANIELEWSKI: Yeah.

Yeah. And now that you're on Volume Three-- and you've written ahead, right?So you've sort of-- MARK Z. DANIELEWSKI: Four is being proofed right now.It will be finalized by September 15th.

But I did sun path to know exactly where the sun was going to be and I'd hung some silks up on the windows so if it came out I would be ableTony: Of last year, the Rome album, Daniele Luppi, Dangermouse and Norah Jones, . Jack White, I think is amazing, amazing album.

But I know on "House of Leaves" it was a different kind of collaboration with your sister, how her music overlapped the book and the bookwith "The Familiar". MARK Z. DANIELEWSKI: Right.

But I know on "House of Leaves" it was a different kind of collaboration with your sister, how her music overlapped the book and the bookGreat. All right. One last passage from Mark Danielewski, everyone.

It's called "Megawatt." And it's a book that-- there's some story behind it.And it's also been remixed to create a piece called "House of Leaves of Grass," which is based on Mark Danielewski and Walt Whitman.

So cooperation is not spontaneous, yet it creates value.The greatest example is a relay race I have used in one of the two TED Talks you were mentioning, Daniele.It's a world championship final relay race.