highquality clothes without the markup. Claire White is our colleague here at Vox, and she's tried some stuff from Quint. Here's what she thinks. I've put a lot of people on to Quint,especially for their summer clothes.
went on in her teenage years to star in A Bug's Life and Remember the Titans with Denel Washington before becoming that household name as cheerleader Claire Bennett in that hit sci-fi series Heroes. Then in Nashville like you heard in that clip there. It was a totallydifferent side of her playing an upand cominging country singer Juliet Barnes.
and a number of other things. Claire is also a wonderful friend, a mother, a dynamic person in the world.So hopefully we'll get to interject lots of fun stories about her and her background and dig into why we're here today, which is to talk about the book
CLAIRE L. EVANS: So, hi.OK. So Hi, everybody.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Correct.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Great base line.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: This is the intended context.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: It's everywhere.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: So the baseline is an interpolation between two melodies, which weren't necessarily baselines from previous YACHT songs.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Yeah.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Jona, he's asking you.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: No.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: No.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Yeah.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Yes, absolutely, yes.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Yeah.
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: Is that what the question is?
To be alive, to be with you, like a weed, I can feel it in my head, like a dog in bed. CLAIRE L. EVANS: This is a very-- I mean, we're human beings.
Mary Houlihan, Greg Stone, and Anthony DeVito, Connor Ratliff. Claire ,, Keith Haskel Show.Thank you so much for having me.
Good. OK, well I'll turn it over to Claire from the British Library. Claire , thanks.Thank you very much, Vanessa.
But at the front of it, you have this portrait of King Edgar donating the charter-- you can see it in his hand there-- Claire , won't you come up.
And of course, seeking refuge in the United States, we came in 2000. Claire and I came in 2000 after living in all those countries.And we came with the Organization International Migration, which resettles people who were seeking refuge all over the world.
And I remember her walking me through how the sun came up to the sky. Claire 's crazy journey. She was like, let's just go.
Just in general. I have a professor that I'm very close with at my university named Sybil St. Claire , and with her I did a lot of theater for social change, which became, like, my biggest passion in college.And something she told me during my freshman year, my first class, was sometimes you have to be comfortable being uncomfortable,
"I am known for having a lot of self-confidence. Claire Cain Miller of "The New York Times" described me as having entrepreneurial brio.I do not have a confidence problem.
To go from the first person unreliable to sort of a third person kind of experience. Claire : Mmm hmm. Cool, very cool.So next we're going to move on to your directorial, feature directorial debut, Pieces of April.
Sometimes the party has a theme, and sometimes people come in costume. Claire : So as you're dreaming up a story, do you think in different formats and forms?Do you think this story is a novel versus film versus a, you know, what you're going to tell your kids before they go to bed or?
Peter: Wow. Well, here we are, trying to be poetic. Claire : Okay, let's fast forward to your recent film starring Steve Carell: Dan in Real Life.Let's roll it.
Let's roll it. Claire : You really, now that I think about it, you really have the best women in your repertoire.Emily Blunt's also in that one, one of my personal favorites, but Juliette Binoche is amazing.
I like movies about people, and sometimes they're sweet, and sometimes they're funny, sometimes they're darker, but ultimately, I go to movies because I want to be reminded of what it means to be alive. Claire : Okay. Okay, let's switch gears and talk about The Odd Life of Timothy Green.Maybe Joel you could tell us a little bit about the story for the folks that haven't seen it.
There you go, that's all I'm gonna say. Claire : So, you of course play Timothy's father, and I think we have a clip of your sort of going out therewith your little son, taking him to school.
Let's roll it. Claire : Can you tell us a little bit about your character and kind of working with Jennifer to create the portrait of these two people?Joel: Yeah, well, Jim is just a good guy, and he is --look, I saw Jim as a bit of an
and so she's kind of like almost the most tailor made person for this movie, yes? Claire : It's an amazing cast.As you mentioned, Jennifer, Ron Livingston, Diane Wiest, Rosemarie DeWitt, Common, and so Peter, I'm wondering if you can tell us a little bit more about this project and directing it, experience?
I met him when he was six and he's only been in two films. Claire : Such a wise little dude.Peter: He is the wise little dude.
I tried to put a little of that in our film. Claire : Very cool. So, I think we have one last clip, um, of the movie, so let's roll it.Claire : So Peter, you've had kids in a lot of your works, so I'm wondering if you have thoughts, or rules around how you write kids to be so
Claire : Very cool. So, I think we have one last clip, um, of the movie, so let's roll it.Claire : So Peter, you've had kids in a lot of your works, so I'm wondering if you have thoughts, or rules around how you write kids to be sokind of believable and--Timothy is obviously a unique and special little person, but still?
or dressing up, or being weird and wonderful and embarrassing themselves without too much shame. Claire : Has being a dad changed or influenced your approach to storytelling at all?
or dressing up, or being weird and wonderful and embarrassing themselves without too much shame. Claire : So we have a couple minutes left, so if anybody has a question, use the mic.
or dressing up, or being weird and wonderful and embarrassing themselves without too much shame. Claire : So I think the movie comes out in two weeks, I don't know if I'm supposed to say that.
to go business school, you show up, and there are people there and you think, 'Wow, do I get to business school with people like this?', and Claire is definitely that person so - I am going to talk a little bit about a book called "Museum Legs" and I'm going to start by giving a little bit of background on why I wrotethe book and contextualizing it in a larger concept of art and creativity. If, if at any point I'm hard to hear, just raise a hand please and I'll speak up. So I started writing
But in order to do so, I would like to introduce my esteemed guest. So Claire , how are you? Hello, I'm great. Laela, this is such an exciting day.
And I got lots of text in advance, so I know lots of your favorites are on there and I'm hopefully many more. So Claire , as I mentioned, I had the distinct privilege of getting to work with you, so learn directly from some of your leadership and management techniques. So I feel like I get to be a little sneaky in this interview, but we'll start with a high-level question.
So I love that. So Claire , I was joking with you when we were talking about the book a couple of days ago that there's lots of great stories in there, and I know it's particularly interesting because you're such a literary person and love to read books yourself.
I think is something that you really stand out on, which is incredible. So Claire , we've gone through three of the operating-- or three of the main operating principles, so I would love to just learn a little bit about the final one that you talk about in the book, which you phrase as, come back to your operating system.
And in season two of "My Last Days," I met a young woman named Claire Wineland who was a YouTuber. And Claire Wineland had cystic fibrosis. And I told her story in the second season of "My Last Days." And her and I became very dear friends, and she kind of became like a little sister to me.
and there it has stayed. As Claire said, it has not been back to England since it left in 716. When it came back to the British Library for the start of this exhibition, there were more than a few tears in the room,
And in this particular case, the will of the beneficiary is attached to the bottom edge, and he grants to land to Winchester. And Claire has very kindly lent me the charter, and you can get a sense of what these documents look like in parchment. You can pass this round, and I'm very grateful to her.
Allen Dulles was a sparkling conversationalist and a great dinner guest who loved fine wine and played tennis and had a hundred affairs with everybody from Claire Booth Luce to the Queen of Greece. He was a sparkling presence on the Washington social scene, as he had been in New York earlier.
That's kind of the secret hope. Sometimes-- Claire : That's so poetic. Peter: Wow. Well, here we are, trying to be poetic.
Donc, à partir du moment où nous réalisons que c'est de cela qu'il s'agit très clairement. Très clairement, c'est-à-dire qu'un élément de hasard. Biologique bien entendu. Mais un élément de hasard justifie que toute une vie, une personne soit considérée